If these special effects films nowadays are so good, why are the cinemas so empty? Lets take a modern example of a film that is closely related to contemporary technology: this "Matrix" rubbish. It utterly amazes me how so many people can dismiss something because it was made in the days before computerised special effects became available. ![]() Providing you maintain the right perspective and keep old series and old films generally within the context of their time, you can apply a meaningful judgment of them. The point is that this series was made FOR ITS TIME and so the only test we can apply in 2004 is: "was it entertaining?" And, like most of Mr Bronson's work, yes, it was entertaining. No, Charlie Bronson did NOT have a digital camera in 1958, so he had to make do with the existing technology. The points made by the exquisitely named Welsh gentleman in the previous review are fair enough in a 2004 context but what people like him always forget is the HISTORICAL context.
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